Showing posts with label graphite. Show all posts
Showing posts with label graphite. Show all posts
Wednesday, January 9, 2013
Leaping From the Edge
This week's Illustration Friday theme is "edge".
Reggie stood at the edge of the pool. The water looked deep. Reggie felt scared. Mommy was right there. He took a deep breath.
Thanks for stopping by to check out my art work. I'm having fun getting back to graphite. Please leave a comment. I'd love to know what you think of it and if you have an suggestions!
dreams, creativity
graphite,
illustration,
Illustration Friday,
mother and child swimming
Sunday, January 6, 2013
Book Review of Unspoken by Henry Cole
It's been a long time since I have done a book review. Not because I haven't been reading, I just haven't spent a lot of time with Children's picture books! Which is too bad because they are usually easier to get through than a thick tome intended for adults! A good children's picture book can be like an afternoon break spent in the art museum.
Henry Cole's Unspoken , published by Scholastic Press, tells a story with only pictures drawn softly in the gray tones of graphite. His style reminded me of Brian Selznick's art in his books, The Invention of Hugo Cabret and Wonderstruck. And like Selznick, Cole creates mood, drama and pace without the assistance of words. Which is perfect because this story needs the viewer to understand how important silence can be to those seeking freedom.
A little girl cautiously hurries across the gold tone pages of the story. With carefully drawn lines, Mr.Cole tells the story of this little girl's alarming discovery; a runaway slave is hiding in her family's barn under a pile of corn stalks. No words are spoken by Mr. Cole, the little girl or the runaway, whom we only see as a eye peeking through the cornstalks. Quietly the little girl makes an important choice between telling her family and the soldiers and bounty hunters who pass by or keeping the runaway's presence a secret so the stranger can continue on the dangerous journey to freedom.
Each illustration draws us into the story, letting us in on the secret and we accompany the girl on her errands of mercy which take her from house to barn and back again as she smuggles food, all the while, her secret stays locked tight behind her lips. She is as silent as the wordless story, but what she does changes the life of a mysterious stranger as well as her own. And we have the privilege of witnessing what her family misses, the emergence of a little girl's courageous compassion which overcomes what the word around her says is right to embrace higher laws and rights, the right of every human being to be free.
Mr. Cole's illustrations show the girl's emotions; her fear, her worry, her joy, her courage and her peace. The drawings are able to show us how she even comes to identify with the fugitive, as she literally chooses to break the law to do what is right and good. This is a touching story about being brave enough to do what is good, embracing a higher morality over the the morality of property. And even though the girl says no words, the lesson she teaches speaks loudly and will make a wonderfully opportunity for parents and children to discuss the intrinsic value of humanity and the importance of standing up to injustice even if we do it quietly.
Visit Mr. Cole's website by clicking here. You can also find Unspoken at Amazon or at your local library.
Henry Cole's Unspoken , published by Scholastic Press, tells a story with only pictures drawn softly in the gray tones of graphite. His style reminded me of Brian Selznick's art in his books, The Invention of Hugo Cabret and Wonderstruck. And like Selznick, Cole creates mood, drama and pace without the assistance of words. Which is perfect because this story needs the viewer to understand how important silence can be to those seeking freedom.
A little girl cautiously hurries across the gold tone pages of the story. With carefully drawn lines, Mr.Cole tells the story of this little girl's alarming discovery; a runaway slave is hiding in her family's barn under a pile of corn stalks. No words are spoken by Mr. Cole, the little girl or the runaway, whom we only see as a eye peeking through the cornstalks. Quietly the little girl makes an important choice between telling her family and the soldiers and bounty hunters who pass by or keeping the runaway's presence a secret so the stranger can continue on the dangerous journey to freedom.
Each illustration draws us into the story, letting us in on the secret and we accompany the girl on her errands of mercy which take her from house to barn and back again as she smuggles food, all the while, her secret stays locked tight behind her lips. She is as silent as the wordless story, but what she does changes the life of a mysterious stranger as well as her own. And we have the privilege of witnessing what her family misses, the emergence of a little girl's courageous compassion which overcomes what the word around her says is right to embrace higher laws and rights, the right of every human being to be free.
Mr. Cole's illustrations show the girl's emotions; her fear, her worry, her joy, her courage and her peace. The drawings are able to show us how she even comes to identify with the fugitive, as she literally chooses to break the law to do what is right and good. This is a touching story about being brave enough to do what is good, embracing a higher morality over the the morality of property. And even though the girl says no words, the lesson she teaches speaks loudly and will make a wonderfully opportunity for parents and children to discuss the intrinsic value of humanity and the importance of standing up to injustice even if we do it quietly.
Visit Mr. Cole's website by clicking here. You can also find Unspoken at Amazon or at your local library.
dreams, creativity
drawings,
freedom,
graphite,
Henry Cole,
illustration,
injustice,
little girl,
runaway slave,
Scholastic Press,
slavery,
Unspoken
Thursday, January 3, 2013
A Brief Trip into Fine Art
Over the month of December I took time away from illustration to work on some gifts for family members. (And to just take a break. Was starting to feel burned out! Ridiculous I know!) So rather than pieces that would accompany text and tell a story that way, I worked on some pieces that are more personal and work more as things of beauty.
The first is a portrait of my daughter and son reading a favorite story book. I did this for my husband in acrylics. I haven't done a painted portrait since college (20 years ago!) so I wasn't sure I could accomplish it. I think it turned out okay. It does look like them. I used a photo as reference The piece took about 20 hours to complete from sketches to finishing touches. My kids told me I didn't get the skin tones right. I agree but I also know getting that color right is REALLY hard. Crayola might have crayon or two that are close, but it is hard to create that color and make it look natural when our own skin tones are fluctuating and very translucent. - little critics-
This is a drawing done in graphite. I used a reference picture from the internet to get all the fine details of the harnesses and the structure of the mules faces and the shadows. In the original photo they were standing father apart. So to tighten the composition, I pulled their heads together and focused on that part of the animals. I think it turned out pretty good. I wish I would have spent more time on it. I started it the day before I was going to give it as a gift to my dad. I started at about 10 am the day before and finished it at 4 pm the following day, just an hour and 15 minutes before I was going to arrive at his home for Christmas dinner! Cutting it too close there! But for not having done a detailed pencil study in a while it turned out pretty good. If you'd like to check out the original photo, click here.
The first is a portrait of my daughter and son reading a favorite story book. I did this for my husband in acrylics. I haven't done a painted portrait since college (20 years ago!) so I wasn't sure I could accomplish it. I think it turned out okay. It does look like them. I used a photo as reference The piece took about 20 hours to complete from sketches to finishing touches. My kids told me I didn't get the skin tones right. I agree but I also know getting that color right is REALLY hard. Crayola might have crayon or two that are close, but it is hard to create that color and make it look natural when our own skin tones are fluctuating and very translucent. - little critics-
This is a drawing done in graphite. I used a reference picture from the internet to get all the fine details of the harnesses and the structure of the mules faces and the shadows. In the original photo they were standing father apart. So to tighten the composition, I pulled their heads together and focused on that part of the animals. I think it turned out pretty good. I wish I would have spent more time on it. I started it the day before I was going to give it as a gift to my dad. I started at about 10 am the day before and finished it at 4 pm the following day, just an hour and 15 minutes before I was going to arrive at his home for Christmas dinner! Cutting it too close there! But for not having done a detailed pencil study in a while it turned out pretty good. If you'd like to check out the original photo, click here.
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